Or winners and losers in the race to exploit their country's past for cultural tourism promotion
The Lost World of Old Europe, one of the most interesting prehistoric art exhibitions, was inaugurated On November 11, 2009 in New York City. Magnificent articles in Epoch Times , Discover Magazine, and the Science Magazine accompanied the news about the event. Some days later, the New York Times published a great article about the exhibition and the oldest European culture.
The first paragraph of the NYT article summarize the importance of the people, who created this civilization: “Before the glory that was Greece and Rome, even before the first cities of Mesopotamia or temples along the Nile, there lived in the Lower Danube Valley and the Balkan foothills people who were ahead of their time in art, technology and long-distance trade.”
For a museum that is not the Metropolitan, Getty, or the Smithsonian, the exhibition received great coverage in the US press – online and offline. You would think that the three countries, from where the artifacts came (Bulgaria, Moldova and Romania), would use this event for busting their cultural tourism destinations and promote their heritage as part of their tourism branding based on rich history and arts. Wrong. Except for Romania, nobody moved a finger.
The biggest loser, of course, is Bulgaria, since the oldest gold in the world of Varna Museum of Archaeology is the star of the exhibition. What happened, so the Bulgarian embassies in New York, Washington DC, the Bulgarian press in English (except for the novinite.com and balkantravelers.com) didn’t mention anything about the event? Neither did the Ministry of Culture of Bulgaria on their website (in English or Bulgarian), the Foreign Affairs Ministry or the Embassy of Bulgaria in the UN, NYC. After a short interview with the Cultural Attaché in the Bulgarian embassy in DC, I understood that he didn’t know anything about the exhibition – nobody from Bulgaria informed him about this event.
Seeing that the official governmental organizations didn’t do anything to promote the country through this exhibition, I was still hoping that Varna municipality would use the event to boost the tourism to their city, one of the most visited places in Bulgaria both for cultural and beach tourism. Well, I was wrong again. Not only this, but even the Varna Archaeological Museum of doesn’t mention the event on their website. Local exhibitions were much better promoted that this international one.
OK, I said. This is because governments in the former communist countries were never good in branding and advertising – see the results of the country brand index positions and you will understand that except for the Check Republic, the rest of Eastern Europe still remains under informational iron curtain. Are the tour operators, publishing houses and other media from Bulgaria taking advantage of the exhibitions to increase their business? I hoped this would be the case. Very few of them and only copy-pasting the news, without linking it with their related cultural tourism products.
Moldova has an excuse to not post any news about the exhibition on their US embassy website (the entire place is occupied with news regarding the recent elections) and Romania is doing everything to capitalize on the exhibition. The posting on the Romanian embassy website even calls the exhibition ”Romanian exhibition”, totally discarding the remaining 2 countries participating with precious artifacts in the event.
In the meantime, Bulgaria doesn’t have any excuse or reason to not be profiting of the great exposure the country would have if the event was properly advertised. Even the lack of experience is not an excuse, since the Thracian Gold exhibitions were widely publicized months before and after of their showing in Japan, France and Switzerland.
What happened? I still don’t understand. But whatever is the mistake behind this information gap, is bad for the country, its cultural heritage and its cultural tourism.
Photography credit: Varna Gold, the oldest gold in the world, Varna Museum of Archaeology. Photography: Rossitza Ohridska-Olson